无论是电影版还是音乐剧版，《异形奇花》（The Little Shop of Horrors)都是脑洞清奇的奇葩作品，却非常对观众的胃口，成为了一部邪典(Cult)大片。
The Little Shop of Horrors首先开始于被称为“B级片之王”的罗杰·科曼拍摄于1960年的作品，江湖传闻花了两天时间和2.7万美元就拍完了，堪称电影界的传说。
1982年该作由作曲家艾伦.曼肯和剧作家、歌词作者霍华德.爱许曼改编成音乐剧搬上了百老汇的舞台，马上获得了巨大的成功。这两位写出来的歌可以说首首好听，首首经典
不知道标题咋想 就随便说一下
看完这部电影，发现了满满的对那个世纪中产阶级的嘲讽。
卑微男主一个，没钱没车没房，工作感情都不顺，妥妥的一个屌丝男士。
男主登场就是笨手笨脚，啥也不行的人设，懦弱的就像键盘侠一样，之后遇见了食人花，通过食人花给自己带了事业爱情确不惜违背了自己的道德，就好像影片中的种种劣迹。
女主也是一个渴望爱情生活的女孩子，可同样也很自卑，觉得自己配不上男主，宁可选择对自己施暴的牙医，也不会争取自己的幸福，可能这也是暗讽当时的世道吧。
Death Note and Little Shop of Horrors: A Study in Contrast
What would you do if you had the power to bring death to any individual just by writing his name on a notebook or leaving him to a plant?
After having enjoyed the musical, Little Shop of Horrors, I am reminded of a movie, Death Note, which I watched last week. The two pieces have such distinct cultural backgrounds and time periods: Death Note was created in the 1960s in the Eastern culture, and Little Shop of Horrors was created in 2000s in the Western culture. However, these two works express a very similar theme: death, the most misunderstood subject in the world today.
“异形奇花”AN ESSAY FOR THEATRE CLASS
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