注：被评为韩国没有瑕疵的电影
时代的创伤，从上到下，压抑的社会孕育扭曲的群体。
影片的特殊政治背景是不容被忽视的，真实的案件发生在1986年，时值韩国军政统治时期，历史上的韩国正在经历转型，处于民主运动的关键时刻。
大街上的示威游行不断；无休止的防空警报；学校的救护演习；军警被拉去镇压游行；司法体系混乱，刑讯逼供滥用，证据保护不当。
没有民主宪政，健全的法治环境无从建立，缺乏保障的整个社会都处于潜在的不安定状态。贯穿全片的淅沥不断的雨
回忆的驱魔
从处女作《绑架门口狗》(2000)到《杀人回忆》(2003)中间对于奉俊昊的导演生涯是决定性的三年，他实现了从一位耽于幻想的艺术片导演到有着成熟世界观和创作理念的商业片导演的转变。1994年他从韩国电影研究院毕业的短片作品《支离破碎》名噪一时，接到了大他六岁的朴赞郁前辈的仰慕电话。接下来的五年，奉俊昊却一事无成、长期失业，还因结婚生子面临着巨大的生活压力。首部长片《绑架门口狗》几经磨难终于上映，片中不善人际交往而无晋升机会的大学讲师几乎就是奉俊昊本人的写照
There are two policemen, two main characters in this movie. But they both combine to present the entity of police force being frustrated of not capturing the right murderer. When we first follow the older policeman who is violent to his suspects and stupidly makes unfair judgment, we might think that he is a looser and thus we seek for a more competent policeman. However, when the one with well-educated background shows up, even though he has more scientific ways to investigate the case, finding out the key clues such as crime happening in rainy days, a song was picked to play each time the murder happened. He still doesn’t have the enough evidence to prove that he captures the right guy. He is so frustrated that he kicks the suspect and even points the guy to him. By that point, we finally understand why the first policeman is so violent to any of suspect, which at the first place
“杀人回忆”阳光满溢的那天
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